Why is the filter gallery not available in Photoshop? Why doesn't the gallery of filters open in Photoshop? Filter Gallery. Changed list of filters in Photoshop CS6

There are quite a lot of filters that are used to create various effects on an image. They are grouped into groups: imitation, distortion, stylization, texture, strokes and sketch. All of these filters can be accessed through the menu Filter - Filter Gallery . If you open any image in Photoshop and go to the menu item Filter - Filter Gallery , you will see folders with the same names as the filter groups listed above.

When you expand these folders, you will see rows of filters, and you can look at the actions of these filters by selecting any of them. To the right are the settings. If the filter suits you, click OK. Below the buttons OK And Cancel There is a drop-down list in which you can also select any of the filters in the gallery.

You can also see the effects of several filters at once in the gallery. To do this, in the lower right corner you click on the icon New effects layer . And then you highlight the desired effect in the list of active effects to adjust it.

By clicking on the icon with the image of an eye, you turn off the display of the effect. Pressing again turns on the display again.

Filters group Distortion

Filter group Distortion also used to simulate various effects.

Filter Diffuse glow

Often used for processing photographic portraits. Open in the program Adobe Photoshop CS5 any photo portrait, duplicate the layer by dragging the layer on the palette Layers to the icon for creating a new layer. And apply this filter on the duplicate, either from the Filter Gallery or through the menu Filter - Distort - Diffuse Glow . In the filter settings, remove graininess, reduce the degree of glow, and adjust the transparency of the original.

Having achieved the desired effect, click OK, and then adjust the opacity of the layer, achieving the effect of glowing skin in the image.

Distortion and Spherization filters

Allows you to expand or compress the image. Filter Distortion does this in a barrel-shaped, or pillow-shaped manner. Filter Spherization makes it more uniform, in the form of a sphere.

Filters Wave, Zigzag, Ocean waves

They create distortion in the form of waves, each filter in its own way.

Filter Twist

Spins the image around the center

Third party filters (plugins)

Filters from other companies that can be used in Adobe Photoshop CS5. Allows you to create various effects that are not included in the program initially. They often cope with tasks better than built-in filters.

Some plugins are programs that themselves install files in the desired location, after which this filter appears in the Filter menu. Some plugins are files with the extension .8BF, and they need to be put in the filters folder for them to start working.

This folder is located in the working folder Adobe programs Photoshop CS5, and it's called Plug-ins. This folder is called the same in all versions of Photoshop. You load the plugin file into it, open the program, and the filter appears in the list of filters.

Video on how to use the Diffuse Glow filter for processing photographic portraits

You can get more detailed information in the “All courses” and “Utilities” sections, which can be accessed through the top menu of the site. In these sections, articles are grouped by topic into blocks containing the most detailed (as far as possible) information on various topics.

Blur filter gallery in Photoshop CS6

CS6 introduces three new filters that allow you to create photorealistic depth of field through a special interface. With its help you can work with controls directly on the image.

Let's look at how to work with filters and their settings!

The new Blur Filter Gallery provides new tools for manipulating depth of field and creating Bokeh effects.

Photographers use focal length, distance to the subject, and aperture to determine where to focus and blur. There are cases when technical limitations do not allow achieving the desired effect. This is where new filters can be useful.

Unlike previous blur filters Photoshop versions, the new filters are designed to give you selective focus. The gallery has been supplemented with the following filters: Field Blur, Iris Blur, Tilt-Shift. The add-on has a separate set of blur effects, with which you can create different types of “Bokeh” effect.


New filters can be found by going to the main menu Filter → Blur. By selecting one of the top three items, you will open a new gallery of filters.


The Filter Gallery will open in a new window, which will temporarily replace your workspace. In the right panel you can configure filters and the Bokeh effect.

Since blur filters are applied directly to the pixels of a layer, unlike adjustment layers, I advise you to first create a copy of the layer. If your document consists of several layers, select the top one and press Ctrl + Alt + Shift + E. As a result, all visible layers below will be combined into one separate one. A filter should be applied to it. Let's start with the Field Blur filter.

Field Blur Filter

Field Blur is the simplest of the three new filters. After activating it, a control appears on the image that allows you to configure only two parameters: location and degree of blur. The degree of blur is adjusted using the ring, and the central circles are responsible for the location of the blur.

Once we have set up the blur for one area, we can add a few more points (controls). To do this, position the cursor outside the first ring and you will see that it changes to a pin with a “+” sign. Left-click on the canvas to add another blur point. This is necessary in order to create different degrees of blur in different parts of the image. If you set the blur value to 0, the area will be back to its original sharpness.

Using two points you can create a smooth transition between effects, similar to a linear gradient fill.

You can set as many blur points as you wish.


By holding down the M key, you will see a blur mask. As with the pixel mask, it contains only shades of black and white. The stronger the blur, the lighter the area will be. Light areas show blur, dark areas show sharpening, and gray areas show partial blur.


In the top screenshot you can see that I have added a large number of blur points. They helped create blur in exactly those areas of the photo where it was needed. This method involves more precise adjustment and allows you to blur even very small areas of the image, as well as create a smooth transition to sharper areas.

Original image. The background the dog is in is too eye-catching.

Using the new blur filter, I blurred the background a bit, focusing on the dog and kite. Pay attention to the sand. I was able to create a smooth transition from foreground to background by adding multiple control points. Also look closely at the dog's fur. Such elements are difficult to work with in most processing situations. And here the Field Blur filter also fails. To improve the sharpness of the fur, you need to work with other restoration and cloning tools.

At first glance, this filter may seem like it requires a lot of effort. But it does create realistic transitions between areas of a photograph that are achievable with a camera. The Iris Blur filter, which we'll look at next, allows you to create blur with with less effort. But remember that failure to pay due attention and time to adjusting the filter can create too much of a blur effect, which any experienced photographer will detect in post-processing.

Iris Blur Filter

The Iris Blur filter gives you more control over your image. In addition to controlling the degree of blur, there are more anchor points with which you can change the shape of the blurred area.

The outline of the ellipse defines the boundary between the blurred and sharp areas. Feather handles provide a smooth transition between them.

As with the first filter, once activated, the blur point is placed in the center, and the blur ring controls its degree. By default, the area with normal sharpness is oval. Anything outside the oval will be blurred. Using small squares on the outline of the ellipse, you can change the width and height of the area protected from blur. The large diamond is responsible for the degree of roundness. In the next screenshot I have changed the shape of the ellipse. Rotating and repositioning is similar to the Free Transform tool (Ctrl + T).

The inner small circles are responsible for the smooth transition from the blurred area (outside the ellipse) to the area with normal sharpness. The closer they are to the center, the smoother this transition will be. By holding Alt, you can set the position of one circle separately from the other three.

Don't be scared by the theory! It's actually simple. The best way Getting to grips with the controls takes practice. Open some image, install high degree blur and move all the levers. Any changes will be noticeable.

Original image. There are still other objects visible in the background that attract attention.

Blur created by the Iris Blur filter.

Tilt-Shift filter

The Tilt-Shift filter creates the same optical perspective effect as Lensbaby lenses. After activating the filter, the filter ring is placed in the center, and two horizontal lines are located above and below



Dotted line performs the function of the inner circles (Feather handles) of the Iris Blur filter. It distinguishes between the blurry part of the image and the area with normal sharpness, which is located between the solid white lines.

You can move all the controls by moving the center point. You can also move each line individually. The horizontal position of the blur can also be changed. All controls rotate. To do this, you need to position the cursor outside the area with normal sharpness (outside the solid lines). The blur ring works the same way as the other two filters.

On the right panel there is another parameter - Distortion, set to 0% by default. By moving it in any direction, you will get a motion blur effect, by default it will be at the bottom (in the foreground). Symmetric Distortion will create this effect on both the top and bottom.

The direction of motion blur depends on which direction you move the slider.

On the right panel there is another section - Blur Effects, where you can create "Bokeh".

Blur effects

Below the blur filters there is an effects section. It creates blurred area effects that would normally be created by the camera's aperture.

By changing the values ​​of the section highlighted in red, you will create glows in the blurred areas.

The first Light Bokeh parameter controls the intensity of the effect. The second Bokeh Color parameter enhances the saturation of the effect. Using the Light Range setting, you can determine the tonal range for the effect. By moving the black and white sliders, you determine the pixels that will be affected by the first two parameters.

  • Delete a control point by selecting it and pressing the Delete key.
  • Hold down the M key to see the filter mask.
  • Hold down the H key to hide the controls.
  • Enable/disable any filter by unchecking the checkbox to the right of the filter name.
  • On top panel there is also General settings. Save Mask to Channel function - saving the filter mask into a separate channel. You will find it in the channel palette. You can load this mask at any time and use any of Photoshop's tools to improve the blur.

    The top bar has several options that control blur.

    The default Focus setting is 100%. If you lower this value, the focus area will become blurrier. The Selection Bleed setting can only be changed if a selection was created on the canvas before applying the filter. It controls the amount of blur that is blended across the selected area. The High Quality option makes the Bokeh preview more accurate. Please note that activating it will reduce performance.

    Now that we've covered all the controls for the new filters, you can start applying them to different images.

    We are starting a series of articles dedicated to the Photoshop Filters Gallery. To make it easier for you to work with them, I have prepared a filter for each clear example. You need to always remember that the effect of the filter depends on the size of the image itself and the settings you have applied. With one filter you can get different results.

    In this article we'll go over the package filters Imitation (Artistic), let's get to know them and see how they work. So let's go to the menu Filter - Filter Gallery.

    1. Watercolor

    Simulates the effect of painting with watercolors. Parameter Brush Detail sets the size of the watercolor brush stroke in the range from 1 to 14. Shadow Intensity sets the degree of drawing and saturation of the shadow areas of the image in the range from 0 to 10. Texture sets the degree of use of a texture pattern, which imitates the features of painting with watercolors, changes its values ​​in the range from 1 to 3.

    2. Application (Cutout)

    Turns an image into something similar to an appliqué made from pieces of colored paper - all the colors and shadows in the image are averaged, leaving a limited number of them. Parameter Number of Levels sets the number of color levels in the range from 2 to 8. Edge Simplicity sets the degree of “simplification” of the outline of the appliqué element in the range from 0 to 10. Edge Fidelity sets the accuracy of the transfer of sharp boundaries present in the original image in the range from 1 to 3.

    3. Sponge

    Simulates the effect of painting with a sponge. Parameter Brush Size sets the sponge size in the range from 0 to 10. Contrast (Definition) sets the difference in color levels in the range from 0 to 25. Smoothness sets the order of color transitions in the range from 1 to 15.

    4. Film Grain

    The filter is designed to simulate the reception of increased grain size. Parameter Grain sets the grain level in the range from 0 to 20. sets the light level in the range from 0 to 20. Intensity sets the image detail level in the range from 0 to 10.

    5. Oil painting (Paint Daubs)

    The filter adds texture to the image in the form of wavy or straight spots. You can choose different brushes, as well as determine their size and hardness. Brush types:

    • Simple
    • Light Rough
    • Dark Rough
    • Wide Sharp
    • Wide Blurry
    • Sparkle

    6. Neon Glow

    This filter can be used to tone an image while softening it. Adds various types of glow to objects in an image. Parameter Area (Glow Size) Sets the amount of neon color area in the range -24 to +24. Glow Brightness sets the brightness level of the neon color, which is selected in the field Color (Glow Color) ranges from 0 to 50. The color field shows the color of the neon light. Clicking on this color field displays the Color Picker.

    7. Poster Edges

    This filter finds all the edges in an image and highlights them with dark lines around them based on the contrast of the pixels. Parameter Edge Thickness specifies the largest edge thickness or stroke width in the range from 0 to 10. Edge Intensity sets the level of edge highlighting in the range from 0 to 10. Posterization sets the number of applied color shades in the range from 0 to 6. Therefore, at 0 the color shades are very sharp, and at 6, on the contrary, they are smooth.

    8. Rough Pastels

    Designed to simulate drawing with crayons. Parameter Stroke Length sets maximum length stroke in the range from 0 to 40. Stroke Detail sets the image detail level in the range from 1 to 20. In the list Texture

    • Brick
    • Burlap
    • Canvas
    • Limestone (Sandstone)

    To the right of the option Texture button located Scale Relief Sets the thickness of crayon drawing strokes, ranging from 0 to 50. Drop-down list Light designed to select the direction of the light source, which emphasizes the relief of strokes. Light direction options:

    • Bottom
    • Bottom Left
    • Left
    • Up and left (Top Left)
    • Up (Thor)
    • Up and Right (Top Right)
    • Right
    • Bottom Right

    Invert

    9. Smudge Stick

    Simulates shading of a drawing with a wide, hard tool. Parameter Stroke Length sets the length of the stroke that is shaded by the tool in the range from 0 to 10. Highlight Area sets the degree of illumination in the range from 0 to 20. Intensity sets the degree of image clarity in the range from 0 to 10.

    10. Drawing on the back (Underpainting)

    The filter is designed to simulate a sketch oil paints. Brush Size sets the size of the brush stroke in the range from 0 to 40. Texture Coverage sets the degree of use of the texture image in the range from 0 to 40. In the list Texture the material on which the drawing is created is selected. The following options are available:

    • Brick
    • Burlap
    • Canvas
    • Limestone (Sandstone)

    To the right of the option Texture button located Load Texture, is intended to use another image in *.psd format as a basis. Scale sets the texture scale in the range from 50 to 200%. Relief Sets the thickness of the brush strokes, ranging from 0 to 50. Drop-down list Light designed to select the direction of the light source, which emphasizes the relief of strokes. The following light directions are offered:

    • Down (Bottom);
    • Down and left (Bottom Left);
    • Left;
    • Up and left (Top Left);
    • Up (Thor);
    • Up and to the right (Top Right);
    • Right;
    • Down and right (Bottom Right).

    If you check the indicator Invert, the display of dark and light areas of the image will change.

    11. Dry Brush

    Simulates the artistic technique of “dry brush”. A filter simplifies an image, reduces the range of colors in it, and creates areas of common color. Parameter Brush Size sets the stroke size in the range from 0 to 10. Brush Detail Texture sets the degree of texture use in the range from 1 to 3.

    12. Fresco

    The filter is designed to simulate drawing on raw material. You should use it very carefully as the filter may make the image too dark. Parameter Brush Size sets the brush size in the range from 0 to 10. Brush Detail sets the accuracy of image transmission in the range from 1 to 10. Texture sets the degree of use of texture, which should imitate the features of painting a fresco in the range from 1 to 3.

    13. Colored Pencil

    This filter allows you to create a shading effect that preserves most of the colors in the original image. Parameters are adjustedPencil Width, Stroke Pressure And Paper Brightness. When using a thin pencil, a drawing is created large quantity lines, and by increasing the pressure, more details of the original image will be preserved. Paper brightness sets the level of transparency of the paper through the layer of pencil strokes.

    14. Cellophane packaging (Plastic Wrap)

    Covers the image with a shiny plastic film to highlight surface details. Parameter Highlight Strength sets the degree of whiteness of the film folds that reflect light in the range from 0 to 20. Detail specifies the number of folds in the range from 1 to 15. Smoothness sets the softness of light and shadows on the folds of the film in the range from 1 to 15.

    15. Palette Knife

    The filter is designed for painting with oil paints using a spatula - a special tool for painting. Parameter Stroke Size sets the size of the spatula stroke in the range from 1 to 50. Stroke Detail sets the accuracy of the image transfer in the range from 1 to 3. Softness sets the degree of merging of adjacent strokes in the range from 0 to 10.

    See you in the next lesson!

    Also, let's say I want to apply it as a smart filter, which will make the filter action fully editable in case I want to change it later. To do this, first I need to convert the image layer into a smart object (more details), after which the corresponding icon will appear in the lower right corner of the layer thumbnail:

    Now I need to apply the Cutout filter itself. In versions CS5 and below, I would just need to go to the main menu tab Filter --> Imitation (Filter --> Artistic) and select the appropriate item, but in CS6 in the Filter menu the group Imitation (Artistic) is simply missing, so I need to go through by Filter --> Filter Gallery (Filter --> Filter Gallery) and in the dialog box that opens, select the Imitation tab (Artistic), and in it already “Application” (Cutout):

    But now a problem has arisen. Typically, when we apply filters as Smart Filters, the name of each individual filter applied appears below the Smart Object in the Layers panel. If we later needed to go back and edit the filter settings, we simply double-click on the name of a specific filter. But in the case of Photoshop CS6, there is a slight difficulty. Any filters that we only access from the Filter Gallery (as they are no longer available to us from the Filter menu) are not identified by their actual name. Instead, they all go under the umbrella title "Filter Gallery", which doesn't tell us which filter was actually used:

    This can also be good in a case like this, where I only have one filter applied, since I can remember its name quite easily. But what happens if I apply several smart filters from the Gallery? For example, I have now applied Spatter from the Brush Strokes group and Diffuse Glow from the Distort group. Since they were only accessible from the Gallery, they are all labeled "Filter Gallery" in the Layers palette, which makes it a little tricky to tell which is which:

    Restoring missing filters in the Filter menu

    This, of course, is not a huge problem, but it can potentially slow down your workflow significantly. Luckily, Adobe realized this and included an option to revert the Filter menu back to how it used to be in versions prior to Photoshop CS6. This option is located on the Edit tab --> Settings --> External modules (Edit --> Preferences --> Plug-Ins). In the dialog box, check the box next to "Show all Filter Gallery groups and names", then click OK and restart Photoshop:

    And now, after restarting Photoshop CS6, we see that all the previously missing filters have become available through the "Filter" menu:

    Let's reopen the photo, convert it into a smart object, and apply the filters we applied last time:

    Like last time, the names of the smart filters applied to it appeared in the layers panel under the smart object, but this time we see one significant difference.

    And again, because I was able to select these filters directly from the Filter menu this time, not from the Filter Gallery, Photoshop lists them based on their actual filter names under the Smart Object. If I want to change the settings for any of the filters by double-clicking on its name, or re-set the order in which the filters are applied to an image by dragging one above or below the other, I no longer have to guess which Filter is which:

    Now each of them is displayed under its own name, and not under the general “Filter Gallery”.

    So, the objectives have been achieved.

    You just have to keep in mind that even now, if you apply smart filters not from the “Filter” menu, but from the “Gallery”, they will appear in the layers palette under the general name “Filter Gallery”.

    Photoshop CS4 Zhvalevsky Andrey Valentinovich

    Filter Gallery

    If you have already tried it in action Photoshop filters, then you should have noticed that the windows with settings for some are very different from others. For example, when selecting a filter Twirl(Twisting) from the group Distort(Deformation) a small window appears (Fig. 7.2), and when selecting a filter Underpainting(Drawing on top) from Artistic(Artistic) - large window (Fig. 7.3). The thing is that the settings of some filters are displayed in gallery mode.

    Rice. 7.2. Twirl Filter Settings

    Rice. 7.3. Underpainting filter settings

    Filter Gallery(Filter Gallery) appeared in the Photoshop arsenal not so long ago - in the CS version - and for many it immediately became one of the favorite image processing tools. In the gallery window, the image can change under the influence of several filters at once. Let's say that to achieve a certain effect you need to apply four filters to a picture. When working with filters in normal mode, you will need to open the filter settings one by one and apply them to the image one by one. You will be able to see the final result only after all operations have been completed. If you decide that you made a mistake with the first filter, then you will have to undo the application of all four, and then do the operation again.

    What do you get by working with Filter Gallery(Filter Gallery)? You can work with the settings of several filters at once, change, add and remove effects that are applied to the image. It is much easier to achieve the desired result with this type of work.

    To access Filter Gallery(Filter Gallery) just apply the filter that opens in this mode to the image. You can also open the gallery window by running the command Filter? Filter Gallery(Filter? Filter gallery).

    Let's consider working with this window. Most of it is occupied by the area preview. In it you can observe how the selected filters affect the image. When choosing filters in the gallery, you don’t have to worry that the original image will disappear somewhere. Everything you do in the filter gallery before you click the button OK, is not saved in the project. Once you click this button, the filters are applied to the image and it changes.

    In the window Filter Gallery(Filter Gallery) you can also see the already familiar groups of filters that are in the menu Filter(Filter). You will probably notice that there are significantly fewer filter groups here than in the menu. This is due to the fact that not all filters support work in Filter Gallery(Filter Gallery). The gallery displays only those filters that can be worked with in this mode. Filter groups are presented as folders. Having opened the desired group, you will see filter icons with their names. To apply a filter to an image, simply click on the icon corresponding to that filter.

    When you select a filter, its settings will appear in the upper right part of the gallery window. Please note that there is also a drop-down list with all available filters. If you know exactly the name of the filter you need in this moment, then you can use this list.

    Finally, at the bottom right of the window Filter Gallery(Filter Gallery) displays the names of all filters applied during the session. By default, only one filter is used. To increase the number of filters, click the button New effect layer(Create Effect Layer)

    To remove a filter, use the button Delete effect layer(Delete effect layer)

    The effect layer appears as the filter name. If you need to change the settings of any of the filters used, select it in this area. If you select a filter in the list of layers and click on the icon of another filter in the filter selection area, the old filter will be removed from the project and replaced with the new one.

    If necessary, you can also temporarily turn off the display of certain filters. To do this, click on the eye icon, which is located next to the name of each filter in the layers area (Fig. 7.4).

    Rice. 7.4. Four filters were applied to the image, two of which were temporarily disabled. From the book Computerra Magazine N 31 dated August 29, 2006 author Computerra magazine

    Softerra: Helicon Filter Author: Yuri MerkulovProcessing digital photographs on a personal computer is very often identified with graphic Adobe editor Photoshop. The very name of the product has already become a household name, and the word “Photoshop” often means any

    From the book Iptables Tutorial 1.1.19 by Andreasson Oskar

    3.4. Filter Table As the name suggests, this table must contain sets of rules to perform packet filtering. Packets can be passed on or rejected (ACCEPT and DROP actions, respectively), depending on their content. Of course we can

    From the book Adobe Photoshop CS in examples (III-IV) author Toporkov Sergey Sergeevich

    Lesson 24. Filter gallery Filters Grain, Neon Glow, Glowing Edges, Motion BlurStep 1 Create a new image of any size, for example 1024x768 - the standard size of desktop wallpaper. Rice. 24.1. Filter gallery with the Grain filter applied. The image must be white. Necessarily

    From the book Photoshop CS3: Training Course author Timofeev Sergey Mikhailovich

    Photo Filter Photo Filter is a separate adjustment layer that allows you to pass a picture through a special filter to correct its color tone. Open any image, preferably a photograph, so that there is a wide variety of

    From the Photoshop book. Best filters author Bondarenko Sergey

    Andromeda SMulti Filter Like the previous filter from the Series 1 Photography Filters collection, this filter is also designed for creating collages. Its name stands for Straight Multiple Image. As a result of applying Andromeda SMulti to the image, it turns out

    From the book Adobe Audition 3 tutorial author author unknown

    Andromeda Reflection Filter This filter is convenient to use in cases where it is necessary to create the illusion of a mirror reflective surface (for example, to imitate a polished table surface or to enhance the reflective effect on the water surface) (Fig. 6.17). Rice. 6.17. Original

    From the book Interactive whiteboards and their use in the educational process author Goryunova M. A.

    Andromeda Designs Filter This kind of tool should be on hand for every designer who often has to create repeating patterns in Adobe Photoshop. This filter is a generator of simple repeating patterns. Among the filter presets

    From the book Digital Photography. Tricks and effects author Gursky Yuri Anatolievich

    Andromeda Diffract Filter A filter with this name is used to create the diffraction effect. This tool will be especially useful when editing photos where you need to highlight this property liquid or glass. As a result of using Andromeda Diffract Filter on

    From the author's book

    Andromeda Prism Filter Optical effects fit very well into almost any composition, giving the photo a beautiful and stylish look. In addition, by using various kinds of glare and reflections in design projects, you can hide traces of photomontage, and

    From the author's book

    Andromeda Halo Filter The name of this filter is translated from in English like "halo". As a result of its use, a small halo appears around objects affected by the filter (Fig. 6.23). This effect allows you to create artificial glare of light on

    From the author's book

    Andromeda Star Filter Another filter that simulates light reflections resulting from the use of special lenses. This effect can be used to make objects shine. After applying the filter, a glowing star appears on the image (Fig. 6.25). Rice. 6.25.

    From the author's book

    From the author's book

    FFT Filter (process) From the name of this dialog box it follows that an FFT filter is implemented here - a filter based on the fast Fourier transform. This effect can serve as both regular filters and arbitrary filters. frequency response. FFT filter noise level

    From the author's book

    Notch Filter Designed to suppress unwanted narrowband components in the signal spectrum. Particularly useful for suppressing industrial-frequency background noise electrical network(50Hz) and harmonics of this frequency resulting from nonlinear

    From the author's book

    Gallery B new version Mimio Studio software package mimio Gallery is a catalog of graphic objects, including pictures and backgrounds, multimedia objects and lessons, structured by sections. The objects contained in the gallery allow the teacher to diversify

    From the author's book

    13.5. Photo Filter The idea of ​​this color correction method is simple: a virtual color filter is applied to the image. Something similar can be seen if you look at the world through colored glass (one of the modes of using Photo Filter is completely identical

    Photoshop CS4 Zhvalevsky Andrey Valentinovich

    Filter Gallery

    If you have already tried Photoshop filters in action, you should have noticed that the settings windows for some are very different from others. For example, when selecting a filter Twirl(Twisting) from the group Distort(Deformation) a small window appears (Fig. 7.2), and when selecting a filter Underpainting(Drawing on top) from Artistic(Artistic) - large window (Fig. 7.3). The thing is that the settings of some filters are displayed in gallery mode.

    Rice. 7.2. Twirl Filter Settings

    Rice. 7.3. Underpainting filter settings

    Filter Gallery(Filter Gallery) appeared in the Photoshop arsenal not so long ago - in the CS version - and for many it immediately became one of the favorite image processing tools. In the gallery window, the image can change under the influence of several filters at once. Let's say that to achieve a certain effect you need to apply four filters to a picture. When working with filters in normal mode, you will need to open the filter settings one by one and apply them to the image one by one. You will be able to see the final result only after all operations have been completed. If you decide that you made a mistake with the first filter, then you will have to undo the application of all four, and then do the operation again.

    What do you get by working with Filter Gallery(Filter Gallery)? You can work with the settings of several filters at once, change, add and remove effects that are applied to the image. It is much easier to achieve the desired result with this type of work.

    To access Filter Gallery(Filter Gallery) just apply the filter that opens in this mode to the image. You can also open the gallery window by running the command Filter? Filter Gallery(Filter? Filter gallery).

    Let's consider working with this window. Most of it is occupied by the preview area. In it you can observe how the selected filters affect the image. When choosing filters in the gallery, you don’t have to worry that the original image will disappear somewhere. Everything you do in the filter gallery before you click the button OK, is not saved in the project. Once you click this button, the filters are applied to the image and it changes.

    In the window Filter Gallery(Filter Gallery) you can also see the already familiar groups of filters that are in the menu Filter(Filter). You will probably notice that there are significantly fewer filter groups here than in the menu. This is due to the fact that not all filters support work in Filter Gallery(Filter Gallery). The gallery displays only those filters that can be worked with in this mode. Filter groups are presented as folders. When you expand the desired group, you will see filter icons with their names. To apply a filter to an image, simply click on the icon corresponding to that filter.

    When you select a filter, its settings will appear in the upper right part of the gallery window. Please note that there is also a drop-down list with all available filters. If you know exactly the name of the filter that you need at the moment, you can use this list.

    Finally, at the bottom right of the window Filter Gallery(Filter Gallery) displays the names of all filters applied during the session. By default, only one filter is used. To increase the number of filters, click the button New effect layer(Create Effect Layer)

    To remove a filter, use the button Delete effect layer(Delete effect layer)

    The effect layer appears as the filter name. If you need to change the settings of any of the filters used, select it in this area. If you select a filter in the list of layers and click on the icon of another filter in the filter selection area, the old filter will be removed from the project and replaced with the new one.

    If necessary, you can also temporarily turn off the display of certain filters. To do this, click on the eye icon, which is located next to the name of each filter in the layers area (Fig. 7.4).

    Rice. 7.4. Four filters were applied to the image, two of which were temporarily disabled. From the book Computerra Magazine N 31 dated August 29, 2006 author Computerra magazine

    Softerra: Helicon Filter Author: Yuriy MerkulovProcessing digital photographs on a personal computer is very often identified with graphic editor Adobe Photoshop. The very name of the product has already become a household name, and the word “Photoshop” often means any

    From the book Iptables Tutorial 1.1.19 by Andreasson Oskar

    3.4. Filter Table As the name suggests, this table must contain sets of rules to perform packet filtering. Packets can be passed on or rejected (ACCEPT and DROP actions, respectively), depending on their content. Of course we can

    From the book Adobe Photoshop CS in examples (III-IV) author Toporkov Sergey Sergeevich

    Lesson 24. Filter gallery Filters Grain, Neon Glow, Glowing Edges, Motion BlurStep 1 Create a new image of any size, for example 1024x768 - the standard size of desktop wallpaper. Rice. 24.1. Filter gallery with the Grain filter applied. The image must be white. Necessarily

    From the book Photoshop CS3: Training Course author Timofeev Sergey Mikhailovich

    Photo Filter Photo Filter is a separate adjustment layer that allows you to pass a picture through a special filter to correct its color tone. Open any image, preferably a photograph, so that there is a wide variety of

    From the Photoshop book. Best filters author Bondarenko Sergey

    Andromeda SMulti Filter Like the previous filter from the Series 1 Photography Filters collection, this filter is also designed for creating collages. Its name stands for Straight Multiple Image. As a result of applying Andromeda SMulti to the image, it turns out

    From the book Adobe Audition 3 tutorial author author unknown

    Andromeda Reflection Filter This filter is convenient to use in cases where it is necessary to create the illusion of a mirror reflective surface (for example, to imitate a polished table surface or to enhance the reflective effect on the water surface) (Fig. 6.17). Rice. 6.17. Original

    From the book Interactive whiteboards and their use in the educational process author Goryunova M. A.

    Andromeda Designs Filter This kind of tool should be on hand for every designer who often has to create repeating patterns in Adobe Photoshop. This filter is a generator of simple repeating patterns. Among the filter presets

    From the book Digital Photography. Tricks and effects author Gursky Yuri Anatolievich

    Andromeda Diffract Filter A filter with this name is used to create the diffraction effect. This tool will be especially useful when editing photographs in which you want to emphasize a given property of a liquid or glass. As a result of using the Andromeda Diffract Filter on

    From the author's book

    Andromeda Prism Filter Optical effects fit very well into almost any composition, giving the photo a beautiful and stylish look. In addition, by using various kinds of glare and reflections in design projects, you can hide traces of photomontage, and

    From the author's book

    Andromeda Halo Filter The name of this filter is translated from English as “halo”. As a result of its use, a small halo appears around objects affected by the filter (Fig. 6.23). This effect allows you to create artificial glare of light on

    From the author's book

    Andromeda Star Filter Another filter that simulates light reflections resulting from the use of special lenses. This effect can be used to make objects shine. After applying the filter, a glowing star appears on the image (Fig. 6.25). Rice. 6.25.

    From the author's book

    From the author's book

    FFT Filter (process) From the name of this dialog box it follows that an FFT filter is implemented here - a filter based on the fast Fourier transform. This effect can serve as both conventional filters and filters of arbitrary frequency response. FFT filter noise level

    From the author's book

    Notch Filter Designed to suppress unwanted narrowband components in the signal spectrum. Particularly useful for suppressing industrial power frequency hum (50Hz) and harmonics at this frequency resulting from nonlinear

    From the author's book

    Gallery In the new version of the Mimio Studio software package, mimio Gallery is a catalog of graphic objects, including pictures and backgrounds, multimedia objects and lessons, structured by sections. The objects contained in the gallery allow the teacher to diversify

    From the author's book

    13.5. Photo Filter The idea of ​​this color correction method is simple: a virtual color filter is applied to the image. Something similar can be seen if you look at the world through colored glass (one of the modes of using Photo Filter is completely identical

    Blur filter gallery in Photoshop CS6

    CS6 introduces three new filters that allow you to create photorealistic depth of field through a special interface. With its help you can work with controls directly on the image.

    Let's look at how to work with filters and their settings!

    The new Blur Filter Gallery provides new tools for manipulating depth of field and creating Bokeh effects.

    Photographers use focal length, distance to the subject, and aperture to determine where to focus and blur. There are cases when technical limitations do not allow achieving the desired effect. This is where new filters can be useful.

    Unlike blur filters previous versions Photoshop's new filters are designed to give you selective focus. The gallery has been supplemented with the following filters: Field Blur, Iris Blur, Tilt-Shift. The add-on has a separate set of blur effects, with which you can create different types of “Bokeh” effect.

    New filters can be found by going to the main menu Filter → Blur. By selecting one of the top three items, you will open a new gallery of filters.


    The Filter Gallery will open in a new window, which will temporarily replace your workspace. In the right panel you can configure filters and the Bokeh effect.

    Since blur filters are applied directly to the pixels of a layer, unlike adjustment layers, I advise you to first create a copy of the layer. If your document consists of several layers, select the top one and press Ctrl + Alt + Shift + E. As a result, all visible layers below will be combined into one separate one. A filter should be applied to it. Let's start with the Field Blur filter.

    Field Blur Filter

    Field Blur is the simplest of the three new filters. After activating it, a control appears on the image that allows you to configure only two parameters: location and degree of blur. The degree of blur is adjusted using the ring, and the central circles are responsible for the location of the blur.

    Once we have set up the blur for one area, we can add a few more points (controls). To do this, position the cursor outside the first ring and you will see that it changes to a pin with a “+” sign. Left-click on the canvas to add another blur point. This is necessary in order to create different degrees of blur in different parts of the image. If you set the blur value to 0, the area will be back to its original sharpness.

    Using two points you can create a smooth transition between effects, similar to a linear gradient fill.

    You can set as many blur points as you wish.


    By holding down the M key, you will see a blur mask. As with the pixel mask, it contains only shades of black and white. The stronger the blur, the lighter the area will be. Light areas show blur, dark areas show sharpening, and gray areas show partial blur.


    In the top screenshot you can see that I have added a large number of blur points. They helped create blur in exactly those areas of the photo where it was needed. This method involves more precise adjustment and allows you to blur even very small areas of the image, as well as create a smooth transition to sharper areas.

    Original image. The background the dog is in is too eye-catching.

    Using the new blur filter, I blurred the background a bit, focusing on the dog and kite. Pay attention to the sand. I was able to create a smooth transition from foreground to background by adding multiple control points. Also look closely at the dog's fur. Such elements are difficult to work with in most processing situations. And here the Field Blur filter also fails. To improve the sharpness of the fur, you need to work with other restoration and cloning tools.

    At first glance, this filter may seem like it requires a lot of effort. But it does create realistic transitions between areas of a photograph that are achievable with a camera. The Iris Blur filter, which we'll look at next, allows you to create blur with less effort. But remember that failure to pay due attention and time to adjusting the filter can create too much of a blur effect, which any experienced photographer will detect in post-processing.

    Iris Blur Filter

    The Iris Blur filter gives you more control over your image. In addition to controlling the degree of blur, there are more anchor points with which you can change the shape of the blurred area.

    The outline of the ellipse defines the boundary between the blurred and sharp areas. Feather handles provide a smooth transition between them.

    As with the first filter, once activated, the blur point is placed in the center, and the blur ring controls its degree. By default, the area with normal sharpness is oval. Anything outside the oval will be blurred. Using small squares on the outline of the ellipse, you can change the width and height of the area protected from blur. The large diamond is responsible for the degree of roundness. In the next screenshot I have changed the shape of the ellipse. Rotating and repositioning is similar to the Free Transform tool (Ctrl + T).

    The inner small circles are responsible for the smooth transition from the blurred area (outside the ellipse) to the area with normal sharpness. The closer they are to the center, the smoother this transition will be. By holding Alt, you can set the position of one circle separately from the other three.

    Don't be scared by the theory! It's actually simple. The best way to get to grips with the controls is practice. Open an image, set the blur to high and move all the controls. Any changes will be noticeable.

    Original image. There are still other objects visible in the background that attract attention.

    Blur created by the Iris Blur filter.

    Tilt-Shift filter

    The Tilt-Shift filter creates the same optical perspective effect as Lensbaby lenses. After activating the filter, the filter ring is placed in the center, and two horizontal lines are located above and below



    The dotted line acts as the inner circles (Feather handles) of the Iris Blur filter. It distinguishes between the blurry part of the image and the area with normal sharpness, which is located between the solid white lines.

    You can move all the controls by moving the center point. You can also move each line individually. The horizontal position of the blur can also be changed. All controls rotate. To do this, you need to position the cursor outside the area with normal sharpness (outside the solid lines). The blur ring works the same way as the other two filters.

    On the right panel there is another parameter - Distortion, set to 0% by default. By moving it in any direction, you will get a motion blur effect, by default it will be at the bottom (in the foreground). Symmetric Distortion will create this effect on both the top and bottom.

    The direction of motion blur depends on which direction you move the slider.

    On the right panel there is another section - Blur Effects, where you can create "Bokeh".

    Blur effects

    Below the blur filters there is an effects section. It creates blurred area effects that would normally be created by the camera's aperture.

    By changing the values ​​of the section highlighted in red, you will create glows in the blurred areas.

    The first Light Bokeh parameter controls the intensity of the effect. The second Bokeh Color parameter enhances the saturation of the effect. Using the Light Range setting, you can determine the tonal range for the effect. By moving the black and white sliders, you determine the pixels that will be affected by the first two parameters.

  • Delete a control point by selecting it and pressing the Delete key.
  • Hold down the M key to see the filter mask.
  • Hold down the H key to hide the controls.
  • Enable/disable any filter by unchecking the checkbox to the right of the filter name.
  • The top panel also contains general settings. Save Mask to Channel function - saving the filter mask into a separate channel. You will find it in the channel palette. You can load this mask at any time and use any of Photoshop's tools to improve the blur.

    The top bar has several options that control blur.

    The default Focus setting is 100%. If you lower this value, the focus area will become blurrier. The Selection Bleed setting can only be changed if a selection was created on the canvas before applying the filter. It controls the amount of blur that is blended across the selected area. The High Quality option makes the Bokeh preview more accurate. Please note that activating it will reduce performance.

    Now that we've covered all the controls for the new filters, you can start applying them to different images.

    We are starting a series of articles dedicated to the Photoshop Filters Gallery. To make it easier for you to work with them, I have prepared a clear example for each filter. You need to always remember that the effect of the filter depends on the size of the image itself and the settings you have applied. With one filter you can get different results.

    In this article we'll go over the package filters Imitation (Artistic), let's get to know them and see how they work. So let's go to the menu Filter - Filter Gallery.

    1. Watercolor

    Simulates the effect of painting with watercolors.

    Parameter Brush Detail sets the size of the watercolor brush stroke in the range from 1 to 14. Shadow Intensity sets the degree of drawing and saturation of the shadow areas of the image in the range from 0 to 10. Texture sets the degree of use of a texture pattern, which imitates the features of painting with watercolors, changes its values ​​in the range from 1 to 3.

    2. Application (Cutout)

    Turns an image into something similar to an appliqué made from pieces of colored paper - all the colors and shadows in the image are averaged, leaving a limited number of them. Parameter Number of Levels sets the number of color levels in the range from 2 to 8. Edge Simplicity sets the degree of “simplification” of the outline of the appliqué element in the range from 0 to 10. Edge Fidelity sets the accuracy of the transfer of sharp boundaries present in the original image in the range from 1 to 3.

    3. Sponge

    Simulates the effect of painting with a sponge. Parameter Brush Size sets the sponge size in the range from 0 to 10. Contrast (Definition) sets the difference in color levels in the range from 0 to 25. Smoothness sets the order of color transitions in the range from 1 to 15.

    4. Film Grain

    The filter is designed to simulate the reception of increased grain size. Parameter Grain sets the grain level in the range from 0 to 20. sets the light level in the range from 0 to 20. Intensity sets the image detail level in the range from 0 to 10.

    5. Oil painting (Paint Daubs)

    The filter adds texture to the image in the form of wavy or straight spots. You can choose different brushes, as well as determine their size and hardness. Brush types:

    • Simple
    • Light Rough
    • Dark Rough
    • Wide Sharp
    • Wide Blurry
    • Sparkle

    6. Neon Glow

    This filter can be used to tone an image while softening it. Adds various types of glow to objects in an image. Parameter Area (Glow Size) Sets the amount of neon color area in the range -24 to +24. Glow Brightness sets the brightness level of the neon color, which is selected in the field Color (Glow Color) ranges from 0 to 50. The color field shows the color of the neon light. Clicking on this color field displays the Color Picker.

    7. Poster Edges

    This filter finds all the edges in an image and highlights them with dark lines around them based on the contrast of the pixels. Parameter Edge Thickness specifies the largest edge thickness or stroke width in the range from 0 to 10. Edge Intensity sets the level of edge highlighting in the range from 0 to 10. Posterization sets the number of applied color shades in the range from 0 to 6. Therefore, at 0 the color shades are very sharp, and at 6, on the contrary, they are smooth.

    8. Rough Pastels

    Designed to simulate drawing with crayons. Parameter Stroke Length sets the maximum stroke length in the range from 0 to 40. Stroke Detail sets the image detail level in the range from 1 to 20. In the list Texture

    • Brick
    • Burlap
    • Canvas
    • Limestone (Sandstone)

    To the right of the option Texture button located Scale Relief Sets the thickness of crayon drawing strokes, ranging from 0 to 50. Drop-down list Light designed to select the direction of the light source, which emphasizes the relief of strokes. Light direction options:

    • Bottom
    • Bottom Left
    • Left
    • Up and left (Top Left)
    • Up (Thor)
    • Up and Right (Top Right)
    • Right
    • Bottom Right

    Invert

    9. Smudge Stick

    Simulates shading of a drawing with a wide, hard tool. Parameter Stroke Length sets the length of the stroke that is shaded by the tool in the range from 0 to 10. Highlight Area sets the degree of illumination in the range from 0 to 20. Intensity sets the degree of image clarity in the range from 0 to 10.

    10. Drawing on the back (Underpainting)

    The filter is designed to simulate a sketch with oil paints. Brush Size sets the size of the brush stroke in the range from 0 to 40. Texture Coverage sets the degree of use of the texture image in the range from 0 to 40. In the list Texture the material on which the drawing is created is selected. The following options are available:

    • Brick
    • Burlap
    • Canvas
    • Limestone (Sandstone)

    To the right of the option Texture button located Load Texture, is intended to use another image in *.psd format as a basis. Scale sets the texture scale in the range from 50 to 200%. Relief Sets the thickness of the brush strokes, ranging from 0 to 50. Drop-down list Light designed to select the direction of the light source, which emphasizes the relief of strokes. The following light directions are offered:

    • Down (Bottom);
    • Down and left (Bottom Left);
    • Left;
    • Up and left (Top Left);
    • Up (Thor);
    • Up and to the right (Top Right);
    • Right;
    • Down and right (Bottom Right).

    If you check the indicator Invert, the display of dark and light areas of the image will change.

    11. Dry Brush

    Simulates the artistic technique of “dry brush”. A filter simplifies an image, reduces the range of colors in it, and creates areas of common color. Parameter Brush Size sets the stroke size in the range from 0 to 10. Brush Detail Texture sets the degree of texture use in the range from 1 to 3.

    12. Fresco

    The filter is designed to simulate drawing on raw material. You should use it very carefully as the filter may make the image too dark. Parameter Brush Size sets the brush size in the range from 0 to 10. Brush Detail sets the accuracy of image transmission in the range from 1 to 10. Texture sets the degree of use of texture, which should imitate the features of painting a fresco in the range from 1 to 3.

    13. Colored Pencil

    This filter allows you to create a shading effect that preserves most of the colors in the original image. Parameters are adjustedPencil Width, Stroke Pressure And Paper Brightness. When using a pencil of thin thickness, a larger number of lines are created in the drawing, and by increasing the pressure, more details of the original image will be preserved. Paper brightness sets the level of transparency of the paper through the layer of pencil strokes.

    14. Cellophane packaging (Plastic Wrap)

    Covers the image with a shiny plastic film to highlight surface details. Parameter Highlight Strength sets the degree of whiteness of the film folds that reflect light in the range from 0 to 20. Detail specifies the number of folds in the range from 1 to 15. Smoothness sets the softness of light and shadows on the folds of the film in the range from 1 to 15.

    15. Palette Knife

    The filter is designed for painting with oil paints using a spatula - a special tool for painting. Parameter Stroke Size sets the size of the spatula stroke in the range from 1 to 50. Stroke Detail sets the accuracy of the image transfer in the range from 1 to 3. Softness sets the degree of merging of adjacent strokes in the range from 0 to 10.

    See you in the next lesson!

    Those who use Photoshop version CS5 (or earlier) are accustomed to the fact that in the menu tab Filters The entire list of available filters is presented. In general, it is convenient to quickly navigate to and use them. With the arrival of the next version - Photoshop CS6 - this menu was changed, which led to confusion and created confusion among users. The fact is that a number of filters from this menu have disappeared completely.

    List of filters in Photoshop CS5:

    Changed list of filters in Photoshop CS6:

    As you can see, the following groups have disappeared without a trace: Artistic, Texture, Brush Strokes and Sketch. In addition to this, a number of individual filters from the remaining groups were also removed.

    But don’t panic; in fact, the filter group data hasn’t disappeared anywhere. Yes, they are not in the main menu, but from Filter galleries no one cleaned them up! Thus, to apply them, you must first go to Filter - Filter Gallery(Filter Gallery). A familiar dialog box will open in which you will find what you were looking for:

    (Click to enlarge)

    As you can see, all the missing filters are present here and you can still use them. But the next problem appeared regarding smart objects and their smart filters.

    Smart objects and filter gallery in Photoshop CS6

    Let's say we have one and we need to apply a filter to it.

    If we select from those filters that are displayed in the menu, then there are no problems - we see their names and understand what we have applied.

    But if you need to use filters from the missing list, that is, through the Gallery, then we see that Photoshop does not write their names!

    Agree, this is extremely inconvenient. Let's say we used only one Application, we can still remember this. What if we add another filter? And then another one? Firstly, you can forget not just the names, but also in what order they were. Secondly, you return to this project in a week or even transfer the PSD file to another person, what then?

    Of course, you can click through them in order, opening a window with filter settings and thereby understanding what it is. But this is so inconvenient... It slows down the speed of work...

    Okay, I got carried away with escalating this problem. The developers left us the right to choose and how to fix everything.

    Restoring missing filters in CS6

    So, to return the missing filters in the menu to their previous form, you need to go to Photoshop settings: Editing(Edit) - Settings(Preferences) - External modules(Plug-Ins).

    In the settings window that opens, check the box next to the setting Show all groups and filter gallery names(Show all Filter Gallery groups and names).

    After this, you need to apply the changes and restart Photoshop.

    Now the missing filter groups will return to the menu, which means that in smart objects they will, like the others, show their name.

    If you notice an error in the text, select it and press Ctrl + Enter. Thank you!

    There are quite a lot of filters that are used to create various effects on an image. They are grouped into groups: imitation, distortion, stylization, texture, strokes and sketch. All of these filters can be accessed through the menu Filter - Filter Gallery . If you open any image in Photoshop and go to the menu item Filter - Filter Gallery , you will see folders with the same names as the filter groups listed above.

    When you expand these folders, you will see rows of filters, and you can look at the actions of these filters by selecting any of them. To the right are the settings. If the filter suits you, click OK. Below the buttons OK And Cancel There is a drop-down list in which you can also select any of the filters in the gallery.

    You can also see the effects of several filters at once in the gallery. To do this, in the lower right corner you click on the icon New effects layer . And then you highlight the desired effect in the list of active effects to adjust it.

    By clicking on the icon with the image of an eye, you turn off the display of the effect. Pressing again turns on the display again.

    Filters group Distortion

    Filter group Distortion also used to simulate various effects.

    Filter Diffuse glow

    Often used for processing photographic portraits. Open a photo portrait in Adobe Photoshop CS5, duplicate the layer by dragging the layer on the palette Layers to the icon for creating a new layer. And apply this filter on the duplicate, either from the Filter Gallery or through the menu Filter - Distort - Diffuse Glow . In the filter settings, remove graininess, reduce the degree of glow, and adjust the transparency of the original.

    Having achieved the desired effect, click OK, and then adjust the opacity of the layer, achieving the effect of glowing skin in the image.

    Distortion and Spherization filters

    Allows you to expand or compress the image. Filter Distortion does this in a barrel-shaped, or pillow-shaped manner. Filter Spherization makes it more uniform, in the form of a sphere.

    Filters Wave, Zigzag, Ocean waves

    They create distortion in the form of waves, each filter in its own way.

    Filter Twist

    Spins the image around the center

    Third party filters (plugins)

    Filters from other companies that can be used in Adobe Photoshop CS5. Allows you to create various effects that are not included in the program initially. They often cope with tasks better than built-in filters.

    Some plugins are programs that themselves install files in the desired location, after which this filter appears in the Filter menu. Some plugins are files with the extension .8BF, and they need to be put in the filters folder for them to start working.

    This folder is located in the folder of the running Adobe Photoshop CS5 program, and it is called Plug-ins. This folder is called the same in all versions of Photoshop. You load the plugin file into it, open the program, and the filter appears in the list of filters.

    Video on how to use the Diffuse Glow filter for processing photographic portraits

    You can get more detailed information in the “All courses” and “Utilities” sections, which can be accessed through the top menu of the site. In these sections, articles are grouped by topic into blocks containing the most detailed (as far as possible) information on various topics.

    Also, let's say I want to apply it as a smart filter, which will make the filter action fully editable in case I want to change it later. To do this, first I need to convert the image layer into a smart object (more details), after which the corresponding icon will appear in the lower right corner of the layer thumbnail:

    Now I need to apply the Cutout filter itself. In versions CS5 and below, I would just need to go to the main menu tab Filter --> Imitation (Filter --> Artistic) and select the appropriate item, but in CS6 in the Filter menu the group Imitation (Artistic) is simply missing, so I need to go through by Filter --> Filter Gallery (Filter --> Filter Gallery) and in the dialog box that opens, select the Imitation tab (Artistic), and in it already “Application” (Cutout):

    But now a problem has arisen. Typically, when we apply filters as Smart Filters, the name of each individual filter applied appears below the Smart Object in the Layers panel. If we later needed to go back and edit the filter settings, we simply double-click on the name of a specific filter. But in the case of Photoshop CS6, there is a slight difficulty. Any filters that we only access from the Filter Gallery (as they are no longer available to us from the Filter menu) are not identified by their actual name. Instead, they all go under the umbrella title "Filter Gallery", which doesn't tell us which filter was actually used:

    This can also be good in a case like this, where I only have one filter applied, since I can remember its name quite easily. But what happens if I apply several smart filters from the Gallery? For example, I have now applied Spatter from the Brush Strokes group and Diffuse Glow from the Distort group. Since they were only accessible from the Gallery, they are all labeled "Filter Gallery" in the Layers palette, which makes it a little tricky to tell which is which:

    Restoring missing filters in the Filter menu

    This, of course, is not a huge problem, but it can potentially slow down your workflow significantly. Luckily, Adobe realized this and included an option to revert the Filter menu back to how it used to be in versions prior to Photoshop CS6. This option is located on the Edit tab --> Settings --> External modules (Edit --> Preferences --> Plug-Ins). In the dialog box, check the box next to "Show all Filter Gallery groups and names", then click OK and restart Photoshop:

    And now, after restarting Photoshop CS6, we see that all the previously missing filters have become available through the "Filter" menu:

    Let's reopen the photo, convert it into a smart object, and apply the filters we applied last time:

    Like last time, the names of the smart filters applied to it appeared in the layers panel under the smart object, but this time we see one significant difference.

    And again, because I was able to select these filters directly from the Filter menu this time, not from the Filter Gallery, Photoshop lists them based on their actual filter names under the Smart Object. If I want to change the settings for any of the filters by double-clicking on its name, or re-set the order in which the filters are applied to an image by dragging one above or below the other, I no longer have to guess which Filter is which:

    Now each of them is displayed under its own name, and not under the general “Filter Gallery”.

    So, the objectives have been achieved.

    You just have to keep in mind that even now, if you apply smart filters not from the “Filter” menu, but from the “Gallery”, they will appear in the layers palette under the general name “Filter Gallery”.

    Blur filter gallery in Photoshop CS6

    CS6 introduces three new filters that allow you to create photorealistic depth of field through a special interface. With its help you can work with controls directly on the image.

    Let's look at how to work with filters and their settings!

    The new Blur Filter Gallery provides new tools for manipulating depth of field and creating Bokeh effects.


    Photographers use focal length, distance to the subject, and aperture to determine where to focus and blur. There are cases when technical limitations do not allow achieving the desired effect. This is where new filters can be useful.

    Unlike the blur filters in previous versions of Photoshop, the new filters are designed to give you selective focus. The gallery has been supplemented with the following filters: Field Blur, Iris Blur, Tilt-Shift. The add-on has a separate set of blur effects, with which you can create different types of “Bokeh” effect.


    New filters can be found by going to the main menu Filter → Blur. By selecting one of the top three items, you will open a new gallery of filters.


    The Filter Gallery will open in a new window, which will temporarily replace your workspace. In the right panel you can configure filters and the Bokeh effect.

    Since blur filters are applied directly to the pixels of a layer, unlike adjustment layers, I advise you to first create a copy of the layer. If your document consists of several layers, select the top one and press Ctrl + Alt + Shift + E. As a result, all visible layers below will be combined into one separate one. A filter should be applied to it. Let's start with the Field Blur filter.

    Field Blur Filter

    Field Blur is the simplest of the three new filters. After activating it, a control appears on the image that allows you to configure only two parameters: location and degree of blur. The degree of blur is adjusted using the ring, and the central circles are responsible for the location of the blur.

    Once we have set up the blur for one area, we can add a few more points (controls). To do this, position the cursor outside the first ring and you will see that it changes to a pin with a “+” sign. Left-click on the canvas to add another blur point. This is necessary in order to create different degrees of blur in different parts of the image. If you set the blur value to 0, the area will be back to its original sharpness.

    Using two points you can create a smooth transition between effects, similar to a linear gradient fill.

    You can set as many blur points as you wish.


    By holding down the M key, you will see a blur mask. As with the pixel mask, it contains only shades of black and white. The stronger the blur, the lighter the area will be. Light areas show blur, dark areas show sharpening, and gray areas show partial blur.


    In the top screenshot you can see that I have added a large number of blur points. They helped create blur in exactly those areas of the photo where it was needed. This method involves more precise adjustment and allows you to blur even very small areas of the image, as well as create a smooth transition to sharper areas.

    Original image. The background the dog is in is too eye-catching.

    Using the new blur filter, I blurred the background a bit, focusing on the dog and kite. Pay attention to the sand. I was able to create a smooth transition from foreground to background by adding multiple control points. Also look closely at the dog's fur. Such elements are difficult to work with in most processing situations. And here the Field Blur filter also fails. To improve the sharpness of the fur, you need to work with other restoration and cloning tools.

    At first glance, this filter may seem like it requires a lot of effort. But it does create realistic transitions between areas of a photograph that are achievable with a camera. The Iris Blur filter, which we'll look at next, allows you to create blur with less effort. But remember that failure to pay due attention and time to adjusting the filter can create too much of a blur effect, which any experienced photographer will detect in post-processing.

    Iris Blur Filter

    The Iris Blur filter gives you more control over your image. In addition to controlling the degree of blur, there are more anchor points with which you can change the shape of the blurred area.

    The outline of the ellipse defines the boundary between the blurred and sharp areas. Feather handles provide a smooth transition between them.

    As with the first filter, once activated, the blur point is placed in the center, and the blur ring controls its degree. By default, the area with normal sharpness is oval. Anything outside the oval will be blurred. Using small squares on the outline of the ellipse, you can change the width and height of the area protected from blur. The large diamond is responsible for the degree of roundness. In the next screenshot I have changed the shape of the ellipse. Rotating and repositioning is similar to the Free Transform tool (Ctrl + T).

    The inner small circles are responsible for the smooth transition from the blurred area (outside the ellipse) to the area with normal sharpness. The closer they are to the center, the smoother this transition will be. By holding Alt, you can set the position of one circle separately from the other three.

    Don't be scared by the theory! It's actually simple. The best way to get to grips with the controls is practice. Open an image, set the blur to high and move all the controls. Any changes will be noticeable.

    Original image. There are still other objects visible in the background that attract attention.

    Blur created by the Iris Blur filter.

    Tilt-Shift filter

    The Tilt-Shift filter creates the same optical perspective effect as Lensbaby lenses. After activating the filter, the filter ring is placed in the center, and two horizontal lines are located above and below

    The dotted line acts as the inner circles (Feather handles) of the Iris Blur filter. It distinguishes between the blurry part of the image and the area with normal sharpness, which is located between the solid white lines.

    You can move all the controls by moving the center point. You can also move each line individually. The horizontal position of the blur can also be changed. All controls rotate. To do this, you need to position the cursor outside the area with normal sharpness (outside the solid lines). The blur ring works the same way as the other two filters.

    In the right panel there is another parameter - Distortion, set to 0% by default. By moving it in any direction, you will get a motion blur effect, by default it will be at the bottom (in the foreground). Symmetric Distortion will create this effect on both the top and bottom.

    The direction of motion blur depends on which direction you move the slider.

    On the right panel there is another section - Blur Effects, where you can create "Bokeh".

    Blur effects

    Below the blur filters there is an effects section. It creates blurred area effects that would normally be created by the camera's aperture.

    By changing the values ​​of the section highlighted in red, you will create glows in the blurred areas.

    The first Light Bokeh parameter controls the intensity of the effect. The second Bokeh Color parameter enhances the saturation of the effect. Using the Light Range setting, you can determine the tonal range for the effect. By moving the black and white sliders, you determine the pixels that will be affected by the first two parameters.

  • Delete a control point by selecting it and pressing the Delete key.
  • Hold down the M key to see the filter mask.
  • Hold down the H key to hide the controls.
  • Enable/disable any filter by unchecking the checkbox to the right of the filter name.
  • The top panel also contains general settings. Save Mask to Channel function - saves the filter mask into a separate channel. You will find it in the channel palette. You can load this mask at any time and use any of Photoshop's tools to improve the blur.

    The top bar has several options that control blur.

    The default Focus setting is 100%. If you lower this value, the focus area will become blurrier. The Selection Bleed setting can only be changed if a selection was created on the canvas before applying the filter. It controls the amount of blur that is blended across the selected area. The High Quality option makes the Bokeh preview more accurate. Please note that activating it will reduce performance.

    Now that we've covered all the controls for the new filters, you can start applying them to different images.

    We are starting a series of articles dedicated to the Photoshop Filters Gallery. To make it easier for you to work with them, I have prepared a clear example for each filter. You need to always remember that the effect of the filter depends on the size of the image itself and the settings you have applied. With one filter you can get different results.

    In this article we'll go over the package filters Imitation (Artistic), let's get to know them and see how they work. So let's go to the menu Filter - Filter Gallery.

    1. Watercolor

    Simulates the effect of painting with watercolors. Parameter Brush Detail sets the size of the watercolor brush stroke in the range from 1 to 14. Shadow Intensity sets the degree of drawing and saturation of the shadow areas of the image in the range from 0 to 10. Texture sets the degree of use of a texture pattern, which imitates the features of painting with watercolors, changes its values ​​in the range from 1 to 3.

    2. Application (Cutout)

    Turns an image into something similar to an appliqué made from pieces of colored paper - all the colors and shadows in the image are averaged, leaving a limited number of them. Parameter Number of Levels sets the number of color levels in the range from 2 to 8. Edge Simplicity sets the degree of “simplification” of the outline of the appliqué element in the range from 0 to 10. Edge Fidelity sets the accuracy of the transfer of sharp boundaries present in the original image in the range from 1 to 3.


    3. Sponge

    Simulates the effect of painting with a sponge. Parameter Brush Size sets the sponge size in the range from 0 to 10. Contrast (Definition) sets the difference in color levels in the range from 0 to 25. Smoothness sets the order of color transitions in the range from 1 to 15.


    4. Film Grain

    The filter is designed to simulate the reception of increased grain size. Parameter Grain sets the grain level in the range from 0 to 20. sets the light level in the range from 0 to 20. Intensity sets the image detail level in the range from 0 to 10.


    5. Oil painting (Paint Daubs)

    The filter adds texture to the image in the form of wavy or straight spots. You can choose different brushes, as well as determine their size and hardness. Brush types:

    • Simple
    • Light Rough
    • Dark Rough
    • Wide Sharp
    • Wide Blurry
    • Sparkle


    6. Neon Glow

    This filter can be used to tone an image while softening it. Adds various types of glow to objects in an image. Parameter Area (Glow Size) Sets the amount of neon color area in the range -24 to +24. Glow Brightness sets the brightness level of the neon color, which is selected in the field Color (Glow Color) ranges from 0 to 50. The color field shows the color of the neon light. Clicking on this color field displays the Color Picker.


    7. Poster Edges

    This filter finds all the edges in an image and highlights them with dark lines around them based on the contrast of the pixels. Parameter Edge Thickness specifies the largest edge thickness or stroke width in the range from 0 to 10. Edge Intensity sets the level of edge highlighting in the range from 0 to 10. Posterization sets the number of applied color shades in the range from 0 to 6. Therefore, at 0 the color shades are very sharp, and at 6, on the contrary, they are smooth.


    8. Rough Pastels

    Designed to simulate drawing with crayons. Parameter Stroke Length sets the maximum stroke length in the range from 0 to 40. Stroke Detail sets the image detail level in the range from 1 to 20. In the list Texture

    • Brick
    • Burlap
    • Canvas
    • Limestone (Sandstone)

    To the right of the option Texture button located Scale Relief Sets the thickness of crayon drawing strokes, ranging from 0 to 50. Drop-down list Light designed to select the direction of the light source, which emphasizes the relief of strokes. Light direction options:

    • Bottom
    • Bottom Left
    • Left
    • Up and left (Top Left)
    • Up (Thor)
    • Up and Right (Top Right)
    • Right
    • Bottom Right

    Invert


    9. Smudge Stick

    Simulates shading of a drawing with a wide, hard tool. Parameter Stroke Length sets the length of the stroke that is shaded by the tool in the range from 0 to 10. Highlight Area sets the degree of illumination in the range from 0 to 20. Intensity sets the degree of image clarity in the range from 0 to 10.


    10. Drawing on the back (Underpainting)

    The filter is designed to simulate a sketch with oil paints. Brush Size sets the size of the brush stroke in the range from 0 to 40. Texture Coverage sets the degree of use of the texture image in the range from 0 to 40. In the list Texture the material on which the drawing is created is selected. The following options are available:

    • Brick
    • Burlap
    • Canvas
    • Limestone (Sandstone)

    To the right of the option Texture button located Load Texture, is intended to use another image in *.psd format as a basis. Scale sets the texture scale in the range from 50 to 200%. Relief Sets the thickness of the brush strokes, ranging from 0 to 50. Drop-down list Light designed to select the direction of the light source, which emphasizes the relief of strokes. The following light directions are offered:

    • Down (Bottom);
    • Down and left (Bottom Left);
    • Left;
    • Up and left (Top Left);
    • Up (Thor);
    • Up and to the right (Top Right);
    • Right;
    • Down and right (Bottom Right).

    If you check the indicator Invert, the display of dark and light areas of the image will change.


    11. Dry Brush

    Simulates the artistic technique of “dry brush”. A filter simplifies an image, reduces the range of colors in it, and creates areas of common color. Parameter Brush Size sets the stroke size in the range from 0 to 10. Brush Detail Texture sets the degree of texture use in the range from 1 to 3.


    12. Fresco

    The filter is designed to simulate drawing on raw material. You should use it very carefully as the filter may make the image too dark. Parameter Brush Size sets the brush size in the range from 0 to 10. Brush Detail sets the accuracy of image transmission in the range from 1 to 10. Texture sets the degree of use of texture, which should imitate the features of painting a fresco in the range from 1 to 3.


    13. Colored Pencil

    This filter allows you to create a shading effect that preserves most of the colors in the original image. Parameters are adjustedPencil Width, Stroke Pressure And Paper Brightness. When using a pencil of thin thickness, a larger number of lines are created in the drawing, and by increasing the pressure, more details of the original image will be preserved. Paper brightness sets the level of transparency of the paper through the layer of pencil strokes.


    14. Cellophane packaging (Plastic Wrap)

    Covers the image with a shiny plastic film to highlight surface details. Parameter Highlight Strength sets the degree of whiteness of the film folds that reflect light in the range from 0 to 20. Detail specifies the number of folds in the range from 1 to 15. Smoothness sets the softness of light and shadows on the folds of the film in the range from 1 to 15.


    15. Palette Knife

    The filter is designed for painting with oil paints using a spatula - a special tool for painting. Parameter Stroke Size sets the size of the spatula stroke in the range from 1 to 50. Stroke Detail sets the accuracy of the image transfer in the range from 1 to 3. Softness sets the degree of merging of adjacent strokes in the range from 0 to 10.


    See you in the next lesson!